Artissima and Intesa Sanpaolo start, in 2020, a new synergy sharing the idea that art is a fundamental driving force to reactivate virtuous mechanisms of social dynamism and cultural enrichment.
The major investments in Torino and Piedmont of Intesa Sanpaolo, with the upcoming opening of a new facility of Gallerie d’Italia at Piazza San Carlo, join in the mission of Artissima, a public player in the foreground of the cultural life of the territory.
Michele Coppola, Executive Director for Art, Culture and Heritage of Intesa Sanpaolo, comments:
The support for Artissima is part of a precise strategy of promotion of modern and contemporary art, around the central factors of our art collection and Gallerie d’Italia. To begin to work with Artissima represents a new stage towards the opening of the Gallerie at Piazza San Carlo, mainly concentrating on photography and the digital world, joining the ranks of the many initiatives on contemporary creativity that make Torino one of the leading art cities in Europe.
Thanks to the partnership, a new project of rediscovery and enhancement of the Archivio Publifoto Intesa Sanpaolo has been conceived with the curatorship of Ilaria Bonacossa, director of Artissima, and Barbara Costa, head of the historical archive.
The photography exhibition Folle will be presented on the occasion of Artissima Unplugged, both digitally and physically: the exhibition will be on view, in integral version of 26 selected photographs, on a specific digital platform hosted on artissima.art, and at GAM – Galleria Civica d’Arte Moderna e Contemporanea in Turin, with a special selection. (The physical exhibition is postponed to December 2020, compatibly with the release of new decrees).
Folle brings together a series of photographs that narrate the social and political transformations of the country through photojournalistic images shot from 1930 to 1980. The social distancing, which is so alien to our practices of coexistence and convivial contact, has prompted the curators to seek different types of crowds gathered for events ranging from culture to sport, celebration to protest, from the everyday practice of travel to participation in sacred rituals, in an attempt to remember the sensation of being part of a great multitude.
The specific digital platform, hosted on artissima.art from 4 November 2020 to 9 January 2021, is on view here: Folle. You will join a virtual space in which to explore, in an easy and intuitive way, the socio-political context of each photograph through in-depth written analysis.
The photographs in the exhibition Folle (Crowds) can also serve as inspiration for the participants in the Sunday Photo competition of La Stampa, the long-term media partner of Artissima, for which Ilaria Bonacossa is a member of the jury. Taking their cue from the images in the show and on view at the online platform, readers are invited to send their own shots to the editorial staff of La Stampa, coordinating the contest, which will select the finest images – in agreement with Artissima and Intesa Sanpaolo.
► Discover how to participate, visit the contest webpage: Contest Sunday Photo
Lastly, from 20 November 2020, it will be possible to find in this page the link to follow in streaming the conference “Linee di Energia. Produzione, conservazione e trasmissione dell’arte italiana del ‘900” (Energy Lines. Production, conservation and transmission of 20th century Italian art; scientific committee composed of Francesco Tedeschi, Sara Abram, Antonio Rava and chaired by Giorgio Bonsanti; Italian language). The event will take place on the occasion of the reports publication of the first three editions of the conference “Linee di Energia”, an initiative promoted by Intesa Sanpaolo, Fondazione Centro Conservazione e Restauro ‘La Venaria Reale’ and Associazione IGIIC – Gruppo Italiano International Institute for Conservation.
The conference, featuring artists, historians, art critics, curators of museums and institutions, conservators and restorers, aims to propose a new reflection on the artistic production in the second half of the 20th century in relation to current strategies of conservation and presentation of the artworks.
► To participate in the digital conference it is necessary to register by filling out the form that you can find here: Registration form.