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5 shows not to be missed in London

24 February 2026 Journal News

5 SHOWS is the new Artissima twice-monthly feature that recommends 5 exhibitions not to be missed in various geographical areas and cities around the world, chosen from the viewpoint of curators and directors of important institutions who live and work in these contexts. A different way to find guidance in the discovery of global contemporary art, from a personal and always up-to-date perspective.

The fourth focus is on London, with a selection by Robert Leckie, Director at Gasworks in London.

Here are the 5 exhibitions currently on display that he has chosen for our readers:

 

Beatriz González
Barbican

Up to 10.05.2026

Bringing together over 150 artworks, many showing in the UK for the first time, this major exhibition explores Beatriz González’s influential practice from the 1960s to now.

From her monumental paintings to repurposed furniture, wallpaper and installations, González draws from found images in popular postcards, reproductions of Western art, and newspaper clippings. In her distinctive graphic style and vivid palette, she transforms these images, playfully questioning ideas of taste, critiquing power structures, bearing witness to violence and offering moving reflections on grief, displacement and community.
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Installation view, Beatriz González at the Barbican, London. Image credit: Barbican Art Gallery, David Parry © Beatriz González
Installation view, Beatriz González at the Barbican, London. Image credit: Barbican Art Gallery, David Parry © Beatriz González
Installation view, Beatriz González at the Barbican, London. Image credit: Barbican Art Gallery, David Parry © Beatriz González

 

 

Nigerian Modernism
Tate Modern

Up to 10.05.2026

Set against the backdrop of cultural and artistic rebellion, Nigerian Modernism celebrates the achievements of Nigerian artists working before and after the decade of national independence from British colonial rule in 1960.

Nigerian Modernism tells the story of artistic networks which spanned Zaria, Ibadan, Lagos and Enugu, as well as London, Munich and Paris. Through groups like the Zaria Art Society and Mbari Artists’ and Writers’ Club, they fused Nigerian, African and European techniques and traditions to create vibrant, multidimensional works.
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Installation Photography, Nigerian Modernism, Tate Modern, 8 October 2025 - 10 May 2026 © Tate Photography (Jai Monaghan).
Installation Photography, Nigerian Modernism, Tate Modern, 8 October 2025 - 10 May 2026 © Tate Photography (Jai Monaghan).
Installation Photography, Nigerian Modernism, Tate Modern, 8 October 2025 - 10 May 2026 © Tate Photography (Jai Monaghan).

 

 

Candice Lin: g/hosti
Whitechapel Gallery

Up to 1.03.2026

Candice Lin works across a variety of disciplines and media, including installation, sculpture, painting and video, to create multisensorial environments that tell stories about the historic roots of contemporary political circumstances.

Visitors to g/hosti are plunged into a circular labyrinth made from curved, painted cardboard panels that depict a fantastical world populated by animals and other creatures.
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Candice Lin, g/hosti, 2025. Installation Photography, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood)
Candice Lin, g/hosti, 2025. Installation Photography, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood)
Candice Lin, g/hosti, 2025. Installation Photography, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood)

 

 

Conceptual Art and Christine Kozlov
Raven Row

Up to 26.04.2026

By the time she left art school in New York in 1967, Christine Kozlov (1945–2005) was part of a radical new direction in art practice that became known as Conceptual Art. This exhibition reveals the scope of Kozlov’s activity, with a focus on her contributions to Conceptual Art from the mid-1960s to the late 1970s, shown with work by a network of her peers.
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Christine Kozlov Self-Portraits (detail), 1968–70. © Christine Kozlov Estate. Photo: Chloe Page
Lizzie Borden Born in Flames (still), 1983. Courtesy of Lizzie Borden and Anthology Film Archives, New York
Zoran Popović, Struggle in New York (still), 1976 From left to right: Mayo Thompson, Paula Ramsden, Kathryn Bigelow, Christine Kozlov, Jesse Chamberlain Courtesy the artist and Handel Street Projects

 

 

It’s 8:30. Do you know where your brains are? Paper Tiger Television
Goldsmiths CCA

Up to 19.04.2026

This is the first exhibition in the UK to present the work of Paper Tiger Television (PTTV), a US-based video production and distribution collective. Over four decades of activity, they made nearly 400 programmes for public access television, delivered hundreds of workshops, and trained countless video-makers. It’s 8:30. Do you know where your brains are? presents 40 programmes from across the decades of PTTV’s activity, many of which have rarely been seen since they were first cable-cast, as well as visual and graphic items used in production, archival material and publications.
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Installation view: Paper Tiger Television, It’s 8:30. Do you know where your brains are? (30 January –19 April 2026) at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.
Installation view: Paper Tiger Television, It’s 8:30. Do you know where your brains are? (30 January –19 April 2026) at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.
Installation view: Paper Tiger Television, It’s 8:30. Do you know where your brains are? (30 January –19 April 2026) at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.

 

If you want to discover the institutions explored so far, here are the previous episodes:
Emirati Arabi Uniti | China | Norway

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